A short version of “Directionlessness”, a solo piece for vibraphone and five, highly amplified, glass tubes, which are played by water drips. Composed and performed by Luís Bittencourt. Live Recording at Nota Alta show, presented by Rui Massena at Porto Canal TV, Portugal.
“Diálogos sobre a terra” (1994) ilustra uma situação em que o performer vive uma dualidade, entre materiais rígidos e macios, para moldar, de forma quase esquizofrênica, um mesmo objeto sonoro. Estes diferentes materiais estão representados nos instrumentos utilizados na música, que incluem 9 tipos de chocalhos, um recipiente com água, microfones subaquáticos, objetos em metal, […]
Inner Eye is inspired by a statue of Shiva at the Museum of Fine Arts, Boston (https://goo.gl/kBBNGP). The “third eye” or “inner eye” of the statue is believed to see beyond sight, and is the portal into the central energy point of a being. This idea of inward reflection, and dizziness felt when observing the […]
Time II is a transient dimension, an aspect of time in which events loop, a realm somewhere between the corporeal and the spiritual. chrono…logic is a film and dance piece and was choreographed, performed and filmed by Germany-based Australian dance artist Louisa Poletti of IF Productions (http://www.ifproductions.org) Time II from Picnic At Hanging Rock, released […]
From the album ‘Along a Vanishing Plane’ out September 16th on Western Vinyl Pre-Order the album: Digital: https://itunes.apple.com/us/album/alo… CD + Vinyl: http://westernvinyl.com/shop/wv149 Christopher Tignor Artist Page http://westernvinyl.com/artists/chris… Website http://www.wiresundertension.com/ Facebook https://www.facebook.com/ChristopherT… Twitter https://twitter.com/tignortronics Instagram https://www.instagram.com/tignortronics/ Violinist, software engineer, and composer Christopher Tignor has announced his newest album Along a Vanishing Plane, which is set for […]
Performed and composed by Maria Finkelmeier, Alabaster explores timbres of quirky instruments while experimenting with the potential of a single loop pedal. Electronic manipulation by David Ibbett, video by Scott Quade. More info at mariafinkelmeier.com
Written for Evan Kahn in 2014. Performed in April 2016 by Evan Kahn and John Jaworski at San Francisco Conservatory of Music. For more about the composer, visit www.juliaseeholzer.com For more about the cellist, visit www.evandkahn.com